{"id":275,"date":"2024-03-07T17:02:56","date_gmt":"2024-03-07T17:02:56","guid":{"rendered":"https:\/\/nathaliebekhouche.fr\/?p=275"},"modified":"2024-03-18T16:06:18","modified_gmt":"2024-03-18T16:06:18","slug":"le-grand-metier-a-tisser-arachnides-2018","status":"publish","type":"post","link":"https:\/\/nathaliebekhouche.fr\/?p=275","title":{"rendered":"LE GRAND BANDANA ET LES PETITES MINES D’OR \u2013 2017"},"content":{"rendered":"\n
\n

Toile carr\u00e9e de coton rouge d\u00e9color\u00e9e \u00e0 la javel, suspendue par deux clous et ensemble de petits serg\u00e9s d\u00e9coup\u00e9s en carr\u00e9, brod\u00e9s, coll\u00e9 et bomb\u00e9 \u00e0 l’acrylique dor\u00e9e (pour l’un d’entre eux) <\/p>\n\n\n\n

Le bandana est un objet textile comme un symbole culturel complexe. Retracer ses origines g\u00e9ographiques semble presque aussi impossible que de saisir et comprendre les nombreux messages et images qu’il v\u00e9hicule.
Au del\u00e0 d’un geste technique artisanal, le bandana se pose ainsi comme un tissage spatio-temporel et culturel complexe. Omnipr\u00e9sent dans notre quotidien, il \u00e9voque pour chacun de nous quelque chose de paradoxalement collectif et tr\u00e8s individuel. Le Grand Bandana <\/em>et Les petites mines d’or<\/em> tentent ainsi de renouer \u00e0 la fois avec un geste technique sp\u00e9cifique \u00e0 cet objet (la d\u00e9coloration par la javel), comme \u00e0 une partie obscure de l’histoire de ses usages (la ru\u00e9e vers l’or et l’exploitation mini\u00e8re). <\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n
\n
\"\"<\/figure><\/div>\n\n
\n
\"\"<\/figure><\/div>\n\n
\n
\"\"<\/figure><\/div>\n\n
\n
\"\"<\/figure><\/div>\n\n
\n
\"\"<\/figure><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Toile carr\u00e9e de coton rouge d\u00e9color\u00e9e \u00e0 la javel, suspendue par deux clous et ensemble de petits serg\u00e9s d\u00e9coup\u00e9s en carr\u00e9, brod\u00e9s, coll\u00e9 et bomb\u00e9 \u00e0 l’acrylique dor\u00e9e (pour l’un d’entre eux) Le bandana est un objet textile comme un symbole culturel complexe. Retracer ses origines g\u00e9ographiques semble presque aussi impossible que de saisir et […]<\/p>\n","protected":false},"author":1,"featured_media":266,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=\/wp\/v2\/posts\/275"}],"collection":[{"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=275"}],"version-history":[{"count":8,"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=\/wp\/v2\/posts\/275\/revisions"}],"predecessor-version":[{"id":422,"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=\/wp\/v2\/posts\/275\/revisions\/422"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=\/wp\/v2\/media\/266"}],"wp:attachment":[{"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}