{"id":648,"date":"2024-04-16T10:45:08","date_gmt":"2024-04-16T10:45:08","guid":{"rendered":"https:\/\/nathaliebekhouche.fr\/?p=648"},"modified":"2024-04-16T10:45:09","modified_gmt":"2024-04-16T10:45:09","slug":"nature-morte-memoire-vive-2022","status":"publish","type":"post","link":"https:\/\/nathaliebekhouche.fr\/?p=648","title":{"rendered":"NATURE MORTE \/\/ M\u00c9MOIRE VIVE \u2013 2022"},"content":{"rendered":"\n
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Impression (nuances de gris) d’une photographie d’un drap familial, recolor\u00e9e aux pastels non fix\u00e9s, 24 x 32 cm (chaque encadrement)<\/p>\n\n\n\n

Nature morte \/\/ M\u00e9moire vive<\/em> est con\u00e7ue comme un cadavre exquis : chaque pastel est fait \u00e0 partir du mod\u00e8le pr\u00e9c\u00e9dent. Si d’un pastel \u00e0 l’autre les diff\u00e9rences semblent
imperceptibles, du premier au dixi\u00e8me, les nuances sont flagrantes. Dessin\u00e9e \u00e0 partir d’une
photographie d’un couvre-lit familial en cretonne, cette s\u00e9rie questionne principalement le souvenir, la m\u00e9moire et les failles qu’ils comportent, comme l’extr\u00eame subjectivit\u00e9 de nos perceptions d’un paysage familier. <\/p>\n\n\n\n

Cette pi\u00e8ce fut r\u00e9alis\u00e9e dans l’Orne dans le cadre de la r\u00e9sidence de recherche Cr\u00e9ation en cours<\/em> (6e \u00e9dition) des Ateliers M\u00e9dicis<\/p>\n\n\n\n

Vues d’un accrochage r\u00e9alis\u00e9 aux Ateliers MilleFeuilles, 2023, Nantes, d’une installation r\u00e9alis\u00e9e pour les Ateliers M\u00e9dicis, 2022, Saint-Denis (cr\u00e9dits : Lucas Brincin) et de l’installation r\u00e9alis\u00e9e pour la restitution de fin de r\u00e9sidence, \u00e9cole des Cailloutins, 2022, Chaillou\u00e9<\/p>\n\n\n

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Impression (nuances de gris) d’une photographie d’un drap familial, recolor\u00e9e aux pastels non fix\u00e9s, 24 x 32 cm (chaque encadrement) Nature morte \/\/ M\u00e9moire vive est con\u00e7ue comme un cadavre exquis : chaque pastel est fait \u00e0 partir du mod\u00e8le pr\u00e9c\u00e9dent. Si d’un pastel \u00e0 l’autre les diff\u00e9rences semblentimperceptibles, du premier au dixi\u00e8me, les nuances […]<\/p>\n","protected":false},"author":1,"featured_media":654,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=\/wp\/v2\/posts\/648"}],"collection":[{"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=648"}],"version-history":[{"count":8,"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=\/wp\/v2\/posts\/648\/revisions"}],"predecessor-version":[{"id":665,"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=\/wp\/v2\/posts\/648\/revisions\/665"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=\/wp\/v2\/media\/654"}],"wp:attachment":[{"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=648"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=648"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nathaliebekhouche.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}